The Film Baby Film Analysis: An Astute Depiction of Queer Brazilian Survivors Lost in the Established Order

Capturing the urban restlessness and pulsating life of São Paulo, director Marcelo Caetano's bracing drama centres on those who exist on the margins of an constantly evolving metropolis. Recently released from juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) finds himself at a crossroads; deserted by his parents, the wide-eyed young man finds solace in the arms of others.

On an night on the town with his rowdy group of LGBTQ+ and gender non-conforming friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a muscular, charming hustler more than twice his age. Bathed in the flickering glow of a XXX cinema, their introductory rendezvous is intimate and charged, with an hint of risk. Ronaldo swiftly initiates Wellington to the underground scene of sex work and selling drugs.

A Study of Understanding Rather Than Exploitation

Caetano depicts Wellington’s new life of crime with gentle sympathy as opposed to as a melodramatic morality play. Now using the alias Baby, he approaches his transactional encounters with brash fearlessness and endearing innocence. To his clients, Wellington lends not only his youth and his body, but also instances of tenderness.

In the feverish excitement of São Paulo, overflowing with bustling alleyways and brightly painted facades, there’s a deep-seated solitude, as unmoored souls cling on to one another for momentary bliss.

"The streets are filled with danger, yet they are the place where they can forge familial bonds, too."

A Complicated Dynamic of Love and Control

Ronaldo is both a lover and a protective father figure to Wellington, but their relationship is derailed by envy and financial instability. Dangers posed by dubious individuals in the criminal underworld are overshadowed by the dread of state surveillance and incarceration, epitomized by the looming presence of police officers making their rounds.

Baby is particularly impactful as an astute portrait of the forgotten souls who have been failed by the social system. The film stands as a heartfelt exploration into resilience, non-biological kinship, and the search for purpose within a unforgiving urban landscape.

Cheryl Pena
Cheryl Pena

A tech journalist with over a decade of experience covering digital transformations and startup ecosystems across Europe.